Entries open for Saro-Wiwa book review competition

The organisers of the Lagos Book and Art Festival (LABAF) have opened a call for entries on reviews of any one of five works of Ken Saro-Wiwa’s fiction and drama.

 

The best review of either Sozaboy, A Forest of Flowers, Adaku and Other Stories, Prisoners of Jebs, or a joint review of Basi and Company – The Transistor Radio will receive a N100,000 cash prize at the opening day of the festival, at Freedom Park, on November 13.

 

The competition is open to Nigerians aged between 18 and 41, that is, those who were either not born, or were just teenagers or at most aged 21, at the time of the death of this Nigerian Literary icon.

 

Entries are to be submitted to Toni Kan, chairman of the panel of judges, on or before 5pm on November 6.

 

Toni Kan is the author of Nights of The Creaking Bed and brand ambassador for the Samsung Galaxy Note 5.

 

Each review should be no more than 1,000 words and typewritten and sent via email to tonikan11@gmail.com.

 

“The competition does three things,” according to Jahman Anikulapo, programme chairman of the Committee For Relevant Art (CORA), organisers of LABAF, “it serves to improve on the human infrastructure of reading; there cannot be a robust literary/literacy subculture, or a book market, without a vibrant review culture. The grounds on which conversations of culture stands in the Nigerian arts landscape today is shaky.

 

“It also helps to memorialise Mr. Saro Wiwa, to whom the theme of this year’s edition of the festival is dedicated.

 

“And finally, it is the foundation of CORA/LABAF Annual Literature Review contest.

 

“So much effort has been made, by sundry sponsors, to writers of books and less to the infrastructure of reading. CORA fancies itself as a landscapist and as we have pioneered the idea of book festivals with programme content, as opposed to book fairs in the country. We also want to sow seeds in the area of getting whole communities, as opposed to writers alone, to share in the joy of reading.

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